Cataloochi Valley Elk measures 24 by 30 inches and is rendered in gouache, marking the opening piece of a new landscape series focused on the Appalachian Mountains. The painting captures an early autumn scene within the Great Smoky Mountains, distinguished by a soft mist that blurs the boundary between foreground and distance. A large stag stands firmly on frosted ground, its fur layered with nuanced browns, whites, and subtle russet tones that convey both texture and presence. Surrounding the elk, slender tree trunks rise sharply, their white and brown bark partially shrouded in fog. The midsection of the composition bursts with vivid yellows, oranges, and reds, reflecting the seasonal shift in foliage with precise yet expressive brushwork. Beyond, dark greens and cool blues define the mountainous horizon, establishing depth without overwhelming the scene. Above, a pale crescent form suggests a moon or other celestial presence, contributing to a quiet, contemplative atmosphere. The work’s layered application and atmospheric quality draw from postmodern Impressionism and Fauvism, articulating both the physical landscape and its intangible light and air. Mounted on stained board, this piece invites reflection on wilderness, transition, and regional identity within a distinct moment of time.